I miss the old days, where if a franchise got to 7 or 8 installments, the budget would have shrunk and the ideas would have become insane. In a just world, Jurassic Park 8 would be a straight-to-dvd release that takes place in space or something.

https://support.symfonium.app/t/how-can-i-pay-for-symfonium-without-google-play/1290/2

Using lidarr with the arr-extended scripts, soularr and slskd is the way. Add the music to your jellyfin server, stream with symfonium.

You could take a look at: https://github.com/ghomasHudson/Jellyfin-Auto-Collections/

It takes trakt, letterboxed, imdb, etc lists and turns them into Jellyfin collections, so you could probably feed it lists of trending movies and just run the script at an interval and have it update your collections.

Still can’t get the collections to show on the front page without some weird plugin hackery, but it’s a step in the right direction.

Using “well at least it’s not as bad in America” in these contexts is both dismissive of valid criticism and also a staggeringly low bar

Corel Linux in the late 90s, but didn’t actually go full time until Ubuntu in 05,followed by arch for a few years, now on mint.

I’m not sure why you’re trying to argue this stuff. This is a thread about movies you can’t be convinced are good. I’m not trying to convince you, I’m stating that I liked the David Lynch Dune considerably more than the new ones. Feel free to take that or leave it, art’s not really objective, dude.

This is how I felt about all the Nolan Batman movies, except it was Batman himself I couldn’t take seriously because of Bale’s ridiculous Cookie Monster voice. I think I burst out laughing in the theatre when I first heard it.

This is 100% the point. This is why oligarchs threw in with Trump. It’s exactly the same reasoning to defund the IRS, so they don’t have the manpower to go after the big fish.

I thought watching the new ones was like watching paint dry. At least Lynch’s version had some personality.

Yeah, I’d rather watch the Lynch version anytime, the new ones are like 6 hours of bland, boring choices and wooden performances.

Women in Love, definitely Ken Russell’s masterpiece.

Canada. I live in Vancouver, which is a notoriously expensive housing market (but the rest of the country is rapidly catching up!).

House would be nice, but detached houses in my neighborhood are currently selling for 3-4 million, so I’ll stay in my nice affordable apartment.

If anyone here likes Japanese animation and hasn’t seen Satoshi Kon’s work, specifically Perfect Dark and Paprika, stop what you’re doing right now and fix that.

Last night I watched Red Room (2023) which was excellent, one of the scariest movies I’ve seen in ages, and not a moment of gore.

Couple days ago I watched Todd Haynes’ Far From Home (2003) without knowing ahead of time that it was a remix of Douglas Sirk’s 50s melodramas, but it was a really pleasant surprise. It inspired me to watch Fassbinder’s Ali: Fear Eats The Soul which I unsurprisingly enjoyed a little less as I’ve never been quite able to connect with his more bleak takes on relationships.

Is it open source, or is it owned by a private company? Looks exactly like the kind of thing that’ll be great for a few years and then become enshittified, like all for-profit software inevitably seems to.

See, while I think this a valid perspective, I am baffled by the need people have to see movies look realistic. You live in realism every day. I want to movies to look interesting, otherworldly, and beautiful. I want every frame to look like a painting. Realism’s fucking boring. Like, it’s a visual medium, why accept anything short of visually stunning?

Every time I watch In The Mood For Love, I’m bummed that all movies don’t look like that, you know?

It does not.

Y’all need to see the OG anti-nazi movie, Charlie Chaplin’s The Great Dictator, which he made in 1939.